By now, you know the story about a man who found himself in a bizarre situation when his girlfriend discovered that he’d written a novel about a worm in a previous incarnation.
He was not only left stunned but also in a state of panic.
The story has a happy ending: He writes it.
But as he describes the process, there’s a danger in believing that the story is about nothing but a clever use of the trope of the supernatural.
The writer John Scalz, who wrote the “Worm” series, doesn’t want to oversell the book.
His protagonist, the fictional, worm-like alien who appears in the first book in the series, is actually a scientist who is tasked with creating a weapon that will destroy a nuclear missile.
That weapon is the “Gravity Engine,” and it’s basically a big vacuum cleaner.
But Scalzi is not talking about the physics of the engine or even of the centrifugal force of gravity.
He’s talking about a “graviton” that’s been designed to work on the nuclear reactor that is the core of the reactor.
The graviton was originally created by physicist Robert C. Stavins, who described it in his 1979 book The Graviton, which was a landmark work on quantum gravity and nuclear energy.
A graviton is a type of super-charged particle that behaves like a photon in its quantum field of view.
It’s the same thing as a photon that’s being emitted by a laser and then reflected by a telescope.
It can exist in two different states: a positively charged state, and a negatively charged state.
The particle can be excited and then trapped in a magnetic field.
Stravins described this as “a special case of an Einstein particle.”
In quantum gravity, the gravity field that the graviton encounters is a field created by a quantum mechanical phenomenon called quantum entanglement.
The graviton, like a particle, has two states that are simultaneously excited and trapped in that field.
In the gravitons case, it’s in a super-excited state.
This means that, while it’s excited, the gravitation field is also attracted by the gravitational wave, which is created when the particles interact with each other.
The gravitational wave created by the gravity particle has two phases: an initial phase and an final phase.
The initial phase has a gravitational force on it that creates the gravitational wave.
But this force can also be overcome by the gravitational field created in the final phase by the particles that are entangled with the initial phase.
In the story, the Graviton is not in a phase that is super-orchestrated.
In this case, the initial gravitational wave was created by its “Graviton Emission” phase, which happens when a graviton’s initial phase is excited and captured by a gravity field.
In a sense, the story doesn’t just focus on the gravity engine, but also on the “gravity field” that is created by it.
This is the only part of the story that involves the Gravitons Emission phase.
It also doesn’t include any discussion of quantum entangling.
So, is this a book that’s about the creation of a gravitonic weapon?
Not at all.
Scalzi and his collaborators are not talking just about a supercharged particle with an entangled photon.
They are talking about an actual, real graviton.
That said, the authors did include a reference to the gravitational-wave experiment conducted by the Lawrence Livermore National Laboratory (LLNL) in the opening pages.
The experiment involved the creation and manipulation of an entangled particle known as a gluon-deuterium-helium-3 atom.
It was done by LNL physicist Joseph L. Feschuk and his colleagues.
The result of the experiment was the discovery of the first gravitational wave, the most powerful of its kind ever detected.
Scalz and his co-authors are referring to this event as “the graviton-gravitonic event.”
The gravitonian event, like the particle’s other phases, was the result of a collaboration between LNL and the National Energy Research Scientific Computing Center (NEESC), a research facility in Livermore, California.
The gravitational-field experiment was part of a program called the “Livermore-AstroBioscience Project.”
It’s not clear how Scalz came up with the name for his book, but the story goes that he had a “disease” that he couldn’t treat.
Scalzes sister, who is also an artist, had an illness that was making it difficult for her to draw.
Scalts sister tried to convince him to give up drawing.
After all, she had to be able to work at a desk to draw without distraction.
But it was not enough.
Her sister, after a while, said she could no longer draw and had to go back